The Revival of Church Singing and Music – modern relevance of St. Pius X’s message of Inter sollicitudines pastoralis officii of 22 November 1903

Authors

  • Jan Józef Janicki Uniwersytet Papieski Jana Pawła II w Krakowie

DOI:

https://doi.org/10.15633/pms.1512

Keywords:

St. Pius X, singing in liturgy, sacred music, Gregorian chant, singing and secular music in liturgy, improper sacred music

Abstract

Amongst many activities aimed at the revival of Christian life, undertaken by the Church in 19th and at the beginning of the 20th centuries, it was the revival of liturgy which started to enrich her religious life. The very essence of Christian life was re-seen in liturgy and it was in liturgy that the means of the revival were sought; “not only  by new means of influence’, but also through giving the Church life “a sense of so desirable respectability and dignity”.

The first and most authoritative person, indicating the liturgy as a font of spiritual life for every Christian, not only for „chosen” few groups of the faithful, was Pope Pius X, “the Shepherd of the souls” who made his motto:  Instaurare omnia in Christo the programme of his service. So as to realize this programme of “restoring all things in Christ” in the realm of liturgy he focused all his efforts first of all on the revival of singing and liturgical music (motu proprio Inter sollicitudines pastoralis officii – Tra le sollicitudini). This document was published on 22 November 1903 on liturgical feast of St. Cecilia, the virgin and the martyr, and the patroness of sacred music. The Saint Congregation of Rites, by their decree of 8 January 1904, promulgated the above pontifical document as “a juridical code of sacred music”

In his motu proprio of 22 November 1903, published in the form of instructions on sacred music ((Instructio de musica sacra),  Pope Pius X successfully restored the Gregorian chant, according to the ancient books, re-introducing it to their primary use in churches, and collecting all prescripts into a whole. Their aim was to build up or restore the sanctity and solemnity of church singing, and by the power of the authority of the Holy See, making this collection a juridical, lawfully abiding code.

Ojciec święty Pius X zaraz na początku swego pontyfikatu skierował do całego Kościoła powszechnego stosunkowo obszerną i poniekąd surową instrukcję o śpiewie i muzyce kościelnej. Był bowiem przekonany, że wymaga tego zaistniała sytuacja nadużyć w tej dziedzinie życia Kościoła.//

Only at the beginning of his service did Pope Pius X issue a comprehensive and, in some ways, strict instruction on singing and sacred music. He was convinced that the occurences of the abuse called for actions.

Author Biography

  • Jan Józef Janicki, Uniwersytet Papieski Jana Pawła II w Krakowie
    Ur. 1946 w Słomnikach. Studia w Wyższym Seminarium Duchownym w Kielcach (1964-1970) i na Katolickim Uniwersytecie Lubelskim (1971-1972). Doktorat w Pontificio Istituto Liturgico w Rzymie (1977); habilitacja w Akademii Teologii Katolickiej w Warszawie (1992/1993); docent w Papieskiej Akademii Teologicznej (PAT) w Krakowie (1995); profesor nadzwyczajny PAT – Kraków 2000; profesor tytularny (belwederski) nauk teologicznych – Warszawa 2004; profesor zwyczajny nauk teologicznych (stanowisko) – Kraków 2011. Autor ponad 200 publikacji o charakterze naukowym i popularnonaukowym oraz paru książek: Le orazioni „super oblata” del ciclo „de Tempore” secondo il „Mis sale Romanum” di Paolo VI. Avviamento ad uno studio critico-teologico, Romae 1977; Liturgia poświęcenia pól, Lublin 1989; Misterium Paschalne w Mszale Rzymskim Pawła VI, Warszawa 1992; Msza święta. Liturgiczne ABC, Warszawa 1993; „Pamiątka Pana” w Ziemi Świętej, Poznań 1993; U początków liturgii Kościoła, Kraków 2002; Kultury antyczne w liturgii chrześcijańskiej, Kraków 2003 i 2007 (II wyd.); Święci chwałą Krakowa, Kraków 2010 i 2012 (II wyd.); Służba Boża w pierwszych wiekach Kościoła. Wybrane zagadnienia, Kraków 2011.

References

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Published

2014-10-31

Issue

Vol. 12 (2014)

Section

Artykuły i rozprawy

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