Music for the Liturgy in our Time: what Language?
DOI:
https://doi.org/10.15633/pms.2101Keywords:
Introit, liturgical year, voice, awaken, time of welcomeAbstract
The article describes the project, developed in the Cathedral of Lodi, which led to the composition of Introit chants for the Sundays and major feasts of the liturgical year. Starting from the principles of nobility and simplicity, the pieces composed, making the most of the treasury of the liturgical musical tradition, are intended to respond to current liturgical needs.
References
Baroffio B., Musicus et cantor, Seregno 1996.
Baroffio G., Eun Ju Kim A., Cantemus domine gloriose, Cremona 2003.
Baroffio G., Retractationes. liturgia in-canto, Lodi 2005.
Bologna C., Flatus vocis, Bologna 2000.
Bonaccorso G., Il rito e l’altro, Città del Vaticano 2001.
Campo C., Lettere a mita, Milano 2088.
Capuano G. L., I segni della voce infinita. Musica e scrittura, Milano 2002.
Cassingena-Trévedy F., Chante et marche. Les introïts I e III, Paris 2012.
Cassingena-Trévedy F., La bellezza della liturgia, Magnano 2003.
Chatwin B., Le vie dei canti, Milano 1987.
Gaburro S., La voce della rivelazione. Fenomenologia della voce per una teologia della rive lazione, Cinisello Balsamo 2005
Guilmard J. M., Guide pratique de chant grégorien. les récitatifs, la pronunciation, la psal modie, les chants du prêtre à la messe, Paris 2007.
Hameline J.-Y., L’accordo rituale. Pratiche e poetiche della liturgia, Milano 2009.
Heschel A. J., La vocazione del cantore, Biella 2000.
Hourlier J., Conversazioni sulla spiritualità del canto gregoriano, Marsala 2007.
Pallis M., Il loto e la croce, Milano 1976.
Ratzinger J., Lodate Dio con arte, Venezia 2010.
Sanchez-Carbone M. L., Vox arcana. Teoria e pratica della voce, Milano 2005.
Saulnier D., Le chant grégorien, Solesmes 1995.
Schneider M., Il significato della musica, Milano 1970.
Schneider M., Les fondements intellectuels et psychologiques du chant magique, in: Les collo ques de wegimont, vol. 1, Paris 1954–1955, p. 56–63.
Schneider M., Pietre che cantano, Milano 1980.
Schweitzer A., J. S. Bach il musicista poeta, Milano 1967.
Servitium, Cantare, maggio-aprile, 2004.
Tomatis A., Ascoltare l’universo, Milano 2003.
Tosi P. F., Opinioni de’ cantori antichi e moderni, Napoli 1904.
Weil S., Attesa di dio, Milano 2011.
Werbeck-Svärdströrm V., La scuola del disvelamento della voce. una via alla puruficazione nell’arte del canto, Dormach 2010.
Wilfart S., Il canto dell’essere, Sotto il monte 1999.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author declares that he/she owns the copyrights to the work and that they are not limited in the scope covered by this declaration, and that the work is an original work and does not violate the copyrights of others.
The author permits the Pontifical University of John Paul II in Cracow to use the work free of charge, non-exclusively and indefinitely, that is:
- to record and reproduce: produce copies of the work by printing, reprography, magnetic recording and recording with the digital technique;
- to circulate the original or copies on which the work has been recorded (to introduce into circulation, lend or hire of the original or copies, public exhibition, display as well as make the work available to the public in such a manner that everyone can have access to it in a place and at a time of their choice);
- to include the paper in a collective work;
- to grant the Creative Commons Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Poland sublicense by Pontifical University of John Paul II in Cracow
The Pontifical University of John Paul II in Cracow makes the work available on the University's Periodicals Platform owned by the University under the Creative Commons Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska licence. This entitles all interested parties to use the work under the following conditions:
- the author and title of the work will be presented,
- the place of publication (the title of the magazine and the URL of the original work published)will be indicated,
- the work will be distributed in a non-commercial manner,
- no derivative works will be created.
