Ethical perfectiorism as one of the solutions to prevent anti-civilization activities: an analysis based on the case study of Joseph Beuys
DOI:
https://doi.org/10.15633/lie.62208Keywords:
perfectiorism, Karol Wojtyła, ethics, Antonio Gramsci, Joseph Beuys, philosophy in practice, marching through institutions, utopia, marxismAbstract
The article uses case studies of Joseph Beuys to show that the ethical perfectiorism developed by Karol Wojtyła is an adequate response to anti-civilizational actions, and that Beuys' actions as a lecturer at the Academy of Fine Arts in Düsseldorf were precisely anti-civilizational in nature. In addition, the influence of the concept of “marching through institutions” was pointed out, which strongly influences civilizational struggles in societies – especially democratic ones. On this basis, it was shown that perfectiorism is one of the key concepts that can play a key role in civilization struggles on the ground of institutions.
References
Beuys [a movie], directed by A. Veiel, 2017 Germany.
Beuys J., Aufruf zur Alternative, 1980, https://pinakothek-beuys-multiples.de/wp-content/uploads/2014/06/Aufruf-2.jpg.
Buchanan P. J., The death of the West, New York 2002.
Buchloh B. H. D., Beuys: The twilight of the Idol. Premilinary Notes for a Critique, “Artforum” 1980 no. 18, p. 35–43.
Diefenbach H., Der lange Marsch durch die Institutionen — und warum er nicht dorthin führen kann, wohin man wollte, 11.03.2020, https://sciencefiles.org/2020/03/11/der-lange-marsch-durch-die-institutionen-und-warum-er-nicht-dorthin-fuhren-kann-wohin-man-wollte/.
Dodd B. V., The school of darkness, New York 1954.
Dutschke R., Mein langer Marsch: Reden, Schriften und Tagebücher aus zwanzig Jahren, Hamburg 1980.
Dutton D., The Art Instinct: Beauty, Pleasure, and Human Evolution, New York–Berlin–London 2009.
Działoszyński B., Cywilizacja. Szkice z dziejów pojęcia w XVIII i XIX wieku, Warszawa 2018.
Gramsci A., Pisma wybrane, transl. by B. Sieroszewska, Warszawa 1961.
Joseph Beuys: Polentransport 1981. Opere di Joseph Beuys dal Muzeum Sztuki di Łódź [cat. exh.], Milano 1993.
Joseph Beuys, 7000 Oak Trees [project], 1982, https://www.tate.org.uk/art/artworks/beuys-7000-oak-trees-ar00745.
Kaczmarek J., Joseph Beuys. Od sztuki do społecznej utopii, Poznań 2001.
Karoń K., Historia antykultury 1.0. Podstawy wiedzy społecznej, Warszawa 2019.
Karoń K., Historia antykultury. Podstawy wiedzy społecznej. Wersja robocza, Warszawa 2018.
Koneczny F., Cywilizacja łacińska, Warszawa 2020.
Koneczny F., O wielości cywilizacji, Warszawa 2015.
Koneczny F., Prawa dziejowe, Warszawa 2020.
Koneczny F., Rozwój moralności, Warszawa 2020.
Krzemień-Ojak S., Antonio Gramsci — filozof kultury, in: Filozofia współczesna, ed. Z. Kuderowicz, Warszawa 1990, p. 57–78.
Lauf C., Joseph Beuys: The pedagogue as persona, Columbia University 1992.
Moffitt J. F., Occultism in avant-garde art: the case of Joseph Beuys, Michigan 1988.
Noce A. del, Gramsci, czyli samobójstwo rewolucji, transl. by A. Schymalia, Warszawa 2023.
Noce A. del, Marxism Died in the East Because It Realized Itself in the West, 16.01.2020, https://churchlifejournal.nd.edu/articles/marxism-died-in-the-east-because-it-realized-itself-in-the-west/.
Rappmann R., Der soziale Organismus — ein Kunstwerk, in: Soziale Plastik: Materialien zu Joseph Beuys, Achberg 1976.
Richter P., Beuys: “To be a teacher is my greatest work of art!”, De Witte Raaf 1994.
Rozwadowski D., Kościół w obliczu rewolucji. Marksistowski marsz przez instytucje Kościoła katolickiego, Warszawa 2021.
Rozwadowski D., Marksizm kulturowy. 50 lat walki z cywilizacją Zachodu, Warszawa 2018.
Rożdżeński R., Ateistyczne korzenie ponowoczesności, Kraków 2023.
Saciuk-Gąsowska A., Joseph Beuys. Na obrzeżach Europy, in: A. Saciuk-Gąsowska, K. Jurecki, Joseph Beuys. Obrzeża Europy, Bielsko-Biała 1997, p. 10–14.
Schönhoff D., Mit Beuys Durch Dusseldorf, Doste Verlag 2018.
The Kimme Musuem of Art And Sculpture, http://www.luisekimme.com/bio.html.
Wojtyła K., W poszukiwaniu podstaw perfekcjoryzmu w etyce, “Roczniki Filozoficzne” 5 (1955–1957) no. 4, p. 303–317.
Zweihundert Jahre Kunstakademie Dusseldorf, Dusseldorf 1973.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
The following rules apply to copyright:
1. The author declares that he or she has full copyright to the work, and such copyright it is not limited to the extent applicable to this declaration, that the article is an original work and that it does not infringe any third-party rights.
2. The author agrees to a free-of-charge, non-exclusive and non-restricted use of the work by Pontifical University of John Paul II in Krakow i.e.:
- to record and duplicate: make copies of the work by means of printing, reprography, magnetic or digital storage;
- to circulate the original or the copies of the work (disseminate, lend or lease the original or copies thereof, publicly display, screen or make the work publicly available so that everyone is able to access it at the time and in place they wish to do so);
- to include the work in a compilation;
- the Pontifical University of John Paul II in Krakow may grant sublicenses Creative Commons Acknowledgement of authorship-Non-commercial use-Without derivative work 3.0 Poland
- the author and the title of the work will be listed,
- the place of publication (name of the periodical and an Internet link to the originally published work),
- the work will be distributed in a non-commercial way,
- no derivative works will be created.
The UPJPII Press does not waive any of its copyrights to any target group.
If you want to publish the text in Logos and Ethos, you must sign the license. However, the signing takes place at a later stage of publishing. Check the license: [license_en.pdf]