Vol. 11 No. 3 (2025)

Textus et Studia, tim 11 (2025) nr 3 - okładka

Published: 2025-09-30

Full Issue

PDF (Polish)

Od redakcji

Od redakcji

Małgorzata Chrobak, Ewa Horyń, Jana Raclavská

5-6
- PDF (Polish)

Articles

Strategies, adaptations, recontextualisations: the first Polish and English translation of Erich Kästner’s novel “Emil und die Detektive”

Angela Bajorek, Joanna Dybiec-Gajer

7-24
- PDF (Polish)
On the reception of William Morris in Poland

Aleksandra Budrewicz

25-40
- PDF (Polish)
Think-aloud protocols and their use in qualitative research in language education

Dominika Chrobak

41-54
- PDF (Polish)
Erich Kästner’s “Emil and the detectives” as a “spatial story”

Małgorzata Chrobak

55-64
- PDF (Polish)
Make visible. Hypotyposis in Giovanni Orelli’s “Walaschek’s Dream”

Natalia Chwaja

65-76
- PDF (Italian)
Manifestations of linguistic awareness related to language changes in the countryside. Based on “Słownik języka mieszkańców ziemi łukowskiej” by Jerzy Sierociuk

Stanisław Cygan

77-92
- PDF (Polish)
“Fabian, the story of a moralist” of Erich Kästner and its reception in Poland

Joanna Gospodarczyk

93-106
- PDF (Polish)
“I wrote a book about things well known to both you and me” — “Emil and the detectives” as a timeless model of the detective-adventure novel in the context of Adam Bahdaj’s prose

Elżbieta Kruszyńska

107-118
- PDF (Polish)
Uchronic and (post)colonial football: spectres of history and contemporaneity in “L’inattesa piega degli eventi” by Enrico Brizzi

Agnieszka Liszka-Drążkiewicz

119-130
- PDF (Italian)
Erich Kästner as a witness and victim of the Third Reich in the context of contemporary literary studies

Agata Mirecka

131-142
- PDF (Polish)
A crime story with a moral. On the didactic dimension of Erich Kästner’s novel „Emil and the detectives”

Justyna Radłowska

143-160
- PDF (Polish)
Carnivalesque vision of an upside-down world as a tool for understanding reality in the children’s novel “The 35th of May, or Conrad’s ride to the South Seas” by Erich Kästner

Marta Ratajczak

161-172
- PDF (Polish)
“The longed-for Karlsbad”, “the Lonely Cave” — the image of the spa resort in the light of Romantic-Era diaries

Magdalena Sadlik

173-186
- PDF (Polish)
The mechanisms of totalitarian power in Erich Kästner’s drama “The school of dictators”

Dorota Szczęśniak

187-200
- PDF (Polish)
„Almost everything had to be written from scratch” — stage adaptation of “Emil and the detectives” by Jerzy Kierst

Agnieszka Zakrzewska-Szostek

201-214
- PDF (Polish)

Vol. 11 No. 3 (2025)

Full Issue

Od redakcji

Od redakcji

Articles

Strategies, adaptations, recontextualisations: the first Polish and English translation of Erich Kästner’s novel “Emil und die Detektive”

On the reception of William Morris in Poland

Think-aloud protocols and their use in qualitative research in language education

Erich Kästner’s “Emil and the detectives” as a “spatial story”

Make visible. Hypotyposis in Giovanni Orelli’s “Walaschek’s Dream”

Manifestations of linguistic awareness related to language changes in the countryside. Based on “Słownik języka mieszkańców ziemi łukowskiej” by Jerzy Sierociuk

“Fabian, the story of a moralist” of Erich Kästner and its reception in Poland

“I wrote a book about things well known to both you and me” — “Emil and the detectives” as a timeless model of the detective-adventure novel in the context of Adam Bahdaj’s prose

Uchronic and (post)colonial football: spectres of history and contemporaneity in “L’inattesa piega degli eventi” by Enrico Brizzi

Erich Kästner as a witness and victim of the Third Reich in the context of contemporary literary studies

A crime story with a moral. On the didactic dimension of Erich Kästner’s novel „Emil and the detectives”

Carnivalesque vision of an upside-down world as a tool for understanding reality in the children’s novel “The 35th of May, or Conrad’s ride to the South Seas” by Erich Kästner

“The longed-for Karlsbad”, “the Lonely Cave” — the image of the spa resort in the light of Romantic-Era diaries

The mechanisms of totalitarian power in Erich Kästner’s drama “The school of dictators”

„Almost everything had to be written from scratch” — stage adaptation of “Emil and the detectives” by Jerzy Kierst

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