Obrazy o treściach mariologicznych w kaplicy Grobu Matki Boskiej w zespole Kalwarii Zebrzydowskiej. Z badań nad recepcją grafiki w malarstwie polskim XVII w.

Janina Dzik

doi:10.15633/fhc.1147

Mariological paintings in the Chapel of Our Lady's Tomb in the Kalwaria Zebrzydowska compound. From studies on the reception of graphics in Polish 17th century painting

Authors

Janina Dzik University of Rzeszów

DOI:

https://doi.org/10.15633/fhc.1147

Keywords:

Marian painting, Kalwaria Zebrzydowska, Polish painting, 17th century

Abstract

The Chapel of Our Lady's Tomb in Brody, complete with valuable interior furnishing, in terms of history and territory belongs to the architectural landscape concept of the Marian- and Passion-themed compound in Kalwaria Zebrzydowska. In the fields of the late-Renaissance choir parapet and the galleries of the chapel there are a series of paintings showing hitherto unspecified Marian themes. The items have never been referred to in literature on Kalwaria or mentioned in guidebooks or maintenance records. The article analyses, in a broad context, the symbolism of 37 Marian scenes presenting Mary and symbolic objects (e.g. a heart, a building, a garden).

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Published

2024-05-06

Issue

Vol. 14 (2008)

Section

Articles

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