Phenomenon of Melodic Changes in the late Medieval Notation of Jan Olbracht Gradual on the Example of Antiphon ad Mandatum „Si ego Dominus et Magister”
DOI:
https://doi.org/10.15633/pms.4116Keywords:
Jan Olbracht Gradual, Hartker Antiphonary, melodic transformations, Mandatum, antiphon, Sie ego Dominus et MagisterAbstract
The article presents melodic transformations of the antiphon ad Mandatum “Si ego Dominus et Magister” recorded in one of the most valuable Polish monuments of the late Middle Ages, Jan Olbracht Gradual (PL-Kk 43, AKKK). The analysis of transformations was carried out on the basis of comparison with adiastematic notation of the discussed antiphon in Hartker Antiphonary (CH-SGs 390) and its melodic restitution in Graduale Novum. Conducted research led to establishing the identity of the version of the antiphon recorded in Olbracht Gradual and identifying basic differences from versions of the chant noted in older manuscripts, such as changes in the relationship between sounds, the use of larger intervals and change in tonal attribution of the antiphon.
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