Some remarks about the “Liber Ordinarius” ms. 51 in the Library of the Krakow Cathedral Chapter
DOI:
https://doi.org/10.15633/pms.2006Keywords:
Liber Ordinarius, Krakow, liturgical manuscripts, Historia, St. LambertAbstract
Manuscript 51 of the Chapter Library of Krakow Cathedral is, according to the modern terminology for liturgical manuscripts, a Liber Ordinarius. Written at the end of the 12th century or the beginning of the 13th for Krakow Cathedral, the manuscript has already received attention from some scholars. In the present essay we offer some remarks about the presence of the proper office for St. Lambert and a concise analysis of some sections of its liturgical-musical repertoire.
References
Bärsch J., Liber Ordinarius – Zur Bedeutung eines liturgischen Buchtyps für die Erforschung des Mittelalters, “Archa Verbi” 2 (2005), p. 9–58.
Boguniowski J. W., Ordinarium Olomucense-Cracoviense. Studium krytyczne, “Nasza Przeszłość” 95 (2001), p. 5–27.
Brusa G., Der Liber Ordinarius der Diözese Freising. Eine textkritische Edition des mittelalterlichen Regelbuchs der Diözese Freising, Purkersdorf 2020 (Codices Manuscripti & Impressi. Sup-plementum, 17).
Caspers C., Libri Ordinarii as a Source fur Cultural History. Introduction, in: Unitas in pluralitate: Libri Ordinarii als Quelle für die Kulturgeschichte, Hrsg. von L. Van Tongeren, C. Caspers, Münster 2015, p. 15–28 (Liturgiewissenschaftliche Quellen und Forschungen, 103).
Collomb P., Le “Liber Ordinarius”: un livre liturgique, une source historique, in: Comprendre le XIIIe siècle. Mélanges offerts à Marie-Thérèse Lorcin, sous la direction de P. Guichard, D. Alex-andre-Bidon, Lyon 1995, p. 97–109.
Corpus Antiphonalium Officii Ecclesiarum Centralis Europae, VII/A: Kraków (Temporale), red. J. Kubienec, Z. Czagány, P. Fodor, Budapest 2018.
Fassler M. E., The Office of the Cantor in Early Western Monastic Rules and Customaries: A Pre-liminary Investigation, “Early Music History” 5 (1985), p. 29–51.
Foley E. B., The “Libri Ordinarii”. An Introduction, “Ephemerides Liturgicae” 102 (1988), p. 129–37.
Gasser S., Les antiennes O, “Études Grégoriennes” 24 (1992), p. 53–84.
Hänggi A., Der Rheinauer Liber Ordinarius (Zürich Rh 80, Anfang 12. Jh.), Freiburg 1957 (Spicilegium Friburgense, 1).
Hesbert R.-J., Corpus Antiphonalium Officii, Vol. 5: Fontes earumque prima ordinatio, Roma 1975 (Rerum Ecclesiasticarum Documenta. Series Maior. Fontes, 11)
Huglo M., Les sources de plain-chant et de la musique médiévale, Aldershot 2004.
Le Graduel Romain. Edition critique par les Moines de Solesmes, 2: Les Sources, Solesmes 1957.
Le Roux R., Les Répons “de Psalmis” pour les Matines de l’Épiphanie à la Septuagésime selon les Cursus Romain et Monastique. Étude de l’office dominical et férial, “Études Grégoriennes” 6 (1963), p. 39–148.
Le Roux R., Répons du Triduo Sacro et de Pâques, “Études Grégoriennes” 18 (1979), p. 157–176.
Lipphardt W., Lateinische Osterfeiern und Osterspiele, 6: Nachträge, Handschriftenverzeichnis, Bibliographie, Berlin–New York 1981.
Lohse T., Éditer des Libri Ordinarii. Réflexions et suggestions autour d’un type particulier des livres liturgiques, “Revue Mabillon” 26 (2015), p. 155–177.
Lohse T., Stand und Perspektiven der Liber Ordinarius-Forschung, in: Liturgie in mittelalterlichen Frauenstiften. Forschungen zum “Liber Ordinarius”, Hrsg. von K. G. Beuckers, Essen 2012 (Essener Forschungen zum Frauenstift, 10), p. 215–255.
Martimort A. G., Les “ordines”, les ordinaires et les cérémoniaux, Turnhout 1991 (Typologie des Sources du Moyen Âge Occidental, 56).
Ottosen K., The Responsories and Versicles of the Latin Office of the Dead, Aarhus 1993.
Palazzo É., Histoire des livres liturgiques. Le Moyen Âge: des origines au XIII siècle, Paris 1993, p. 233–40.
Praßl F. K., Kantor, Kantorin, in: Lexikon für Theologie und Kirche, Bd. 5, Freiburg im Breisgau 1996, col. 1205.
Schuler M., Zur Geschichte des Kantors im Mittelalter, in: Bericht über den Internationalen Mus-ikwissenschaftlichen Kongress, Leipzig 1966, Hrsg. von C. Dahlhaus, Kassel–Leipzig 1970, p. 169–173.
Sobeczko H. J., Liturgia katedry wrocławskiej według przedtrydenckiego Liber Ordinarius z 1563 roku, Opole 1993.
Steiner R., Lenten Antiphons in evangelio, in: Studies in Medieval Chant and Liturgy in Honour of David Hiley, ed. by T. Bailey, L. Dobszay, Budapest–Ottawa 2007, p. 385–412 (Musi-cological Studies, 87).
Suski A. W., Sodi M., Brusa G., Liber qui dicitur Ordinarius. Inventario dei manoscritti, Roma 2022 (Veritatem Inquirere, 8).
Windakiewicz S., Dramat liturgiczny w Polsce średniowiecznej, “Rozprawy Wydziału Filolog-icznego Akademii Umiejętności w Krakowie” 34 (1903), p. 349–495.
Downloads
Published
Issue
Section
License
Copyright (c) 2022 Gionata Brusa

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain the copyright and full publishing rights without restrictions, and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).