Provenance of Some Iconographie Patterns of Christ’s Passion in Medieval Wall Painting in Slovakia and the Czech Republic
DOI:
https://doi.org/10.15633/fhc.1241Keywords:
iconographic patterns, Christ's passion, medieval wall painting, Slovakia, Czech RepublicAbstract
In the depictions presented in the article the gesture of raised hands expresses either Mourning or the feelings connected with Entombing, whose image is supplemented by the gesture of raised hands from the scene of Mourning, among others. The main source of illustration in these works seems to be Italian art, present in Western European painting. Its basis are iconographic solutions of the Byzantine art.
Downloads
Published
2024-05-07
Issue
Section
Articles
License
Copyright (c) 2015 Zdzisław Kliś
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 Unported License.
Authors who publish with this journal agree to the following terms:
- Authors retain the copyright and full publishing rights without restrictions, and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
