Medieval Chant and Digital Technology: A Website for Liturgical Prosulas

Authors

  • Luisa Nardini The University of Texas, Austin

DOI:

https://doi.org/10.15633/pms.4115

Keywords:

prosulas, tropes, Beneventan manuscripts, Digital Humanities, ethical collaboration

Abstract

Chants Hypertexts is a companion website for a forthcoming book that is a study and edition of a substantial body of liturgical music from medieval southern Italy, that of the prosulas of the Proper of the Mass included in the so-called Beneventan manuscripts. This repertory is significant under many points of view. It allows us to detect the many multicultural influences of an area with a highly diversified population. Romans, Byzantines, Lombards, Normans, Franks, Jews, and Muslim were present in the region at different times and with different political roles. They all left their marks on its cultural production, including the liturgical music used for the rites of the Latin Church and women, in particular nuns, were active participants in this musical and liturgical
production.
In addition to addressing the issue of female creativity, the website also tackles the questions of “ethical collaboration” by being fully transparent about its contributors. This way the website will show its commitment to give full voice to the artists of the past and to the scholars and technicians of today.

Author Biography

  • Luisa Nardini, The University of Texas, Austin

    Luisa Nardini – profesor nadzwyczajny muzykologii na Uniwersytecie Teksańskim w Austin, gdzie pełni również funkcję kierownika wydziału muzykologii i etnomuzykologii. Dużo publikuje na temat średniowiecznego chorału, zwłaszcza w jego dokumentacji we włoskich i francuskich manuskryptach. W 2012 roku otrzymała „Gladiatore d’Oro”, najwyższą nagrodę honorową prowincji Benevento (Włochy), w 2018 roku stypendium American Council of Learned Societies, w latach 2012–2013 Grace Hill Milam Centennial Fellowship in Fine Arts, a także inauguracyjne Provost’s Authors Fellowship na Uniwersytecie Teksańskim za ukończenie monografii poświęconej prozulom Beneventu. W latach 2021–2022 będzie koordynowała zespół badaczy w Harry Ransom Centre w projekcie indeksowania manuskryptów chorałowych dzięki specjalnemu stypendium ufundowanemu przez Centrum. Od sierpnia 2022 roku będzie redaktorem naczelnym Acta ­Musicologica wraz z Jen-yen Chen i Arnulfem Mattesem.

References

Benevento, Biblioteca Capitolare 40, Graduale, a cura di A. Turco, N. Albarosa, Padova 1991 (Codices Gregoriani, 1).

Galdi A., Susi E., Santi, navi e saraceni. Immagini e pratiche del mare tra agiografia e storia delle coste campane a quelle dell’Alto Tirreno (secoli VI-XI), “Quaderni di storia religiosa” 14 (2009), p. 53–102.

Kelly T.F., Peattie M.G., The Music of the Beneventan Rite, Bärenreiter 2016 (Monumenta Monodica Medii Aevi, 9).

Le Codex VI. 34 de la Bibliothèque Capitulaire de Bénévent (XIe-XIIe siècle): Graduel de Bénévent avec prosaire et tropaire, Solesmes 1957 (Paléographie Musicale, 15).

Loew E.A., The Beneventan Script: A History of the South Italian Minuscule. Hand List of Beneventan Manuscripts, 2nd ed. prepared and enl. by Virginia Brown, 2 vols., Rome 1980 (Sussidi Eruditi, 33–34).

Mallet J., Thibaut A., Les manuscrits en écriture bénéventaine de la Bibliothèque capitulaire de Bénévent, vol. 2–3, Ottawa 1997.

McKitterick R., Script and Book Production, in: Carolingian Culture: Emulation and Innovation, 221–47, New York 1994.

Nardini L., The Diffusion of Gregorian Chant in Southern Italy and the Masses for St Michael, in: Music and World Christianities, eds. J. Dueck, S. Reily, Oxford 2016, p. 581–605.

Nardini L., Interlacing Traditions: Neo-Gregorian Chants Propers in Beneventan Manuscripts, Toronto 2016 (Monumenta Liturgica Beneventana, 8).

Nardini L., Chant, Hypertexts, and Prosulas: Re-texting the Proper of the Mass in Beneventan Manuscripts, Oxford–New York 2021.

Otranto G., Carletti C., Il Santuario Di S. Michele Arcangelo Sul Gargano Dalle Origini al X Secolo, Bari 1990.

Embellishing the Liturgy: Tropes and Polyphony, ed. A.E. Planchart, Farnham 2009 (Music in Medieval Europe).

Paléographie musicale. Les principaus manuscrits de chant grégorien, ambrosien, mozarabe, gallican, publiés en fac-similés phototypiques par les Bénédictines de Solesmes under the direction of André Mocquereau (voll. I-XIII), Joseph Gajard (voll. XIV, XVIII), and Jacques Froger (from vol. XIX), Solesmes 1889.

Schlager K.-H., Thematischer Katalog der ältesten Alleluia-Melodien aus Handschriften des 10. und 11. Jahrhunderts, ausgenommen das ambrosianische, alt-römische und alt-spanische Repertoire, München 1965 (Erlanger Arbeiten zur Musikwissenschaft, 2).

Vuolo A., Agiografia beneventana, „Campania Sacra” 25 (1995), p. 261–92.

Downloads

Published

2021-11-30

Issue

Section

Artykuły

Similar Articles

1-10 of 15

You may also start an advanced similarity search for this article.