Medieval Chant and Digital Technology: A Website for Liturgical Prosulas

Authors

  • Luisa Nardini The University of Texas, Austin

DOI:

https://doi.org/10.15633/pms.4115

Keywords:

prosulas, tropes, Beneventan manuscripts, Digital Humanities, ethical collaboration

Abstract

Chants Hypertexts is a companion website for a forthcoming book that is a study and edition of a substantial body of liturgical music from medieval southern Italy, that of the prosulas of the Proper of the Mass included in the so-called Beneventan manuscripts. This repertory is significant under many points of view. It allows us to detect the many multicultural influences of an area with a highly diversified population. Romans, Byzantines, Lombards, Normans, Franks, Jews, and Muslim were present in the region at different times and with different political roles. They all left their marks on its cultural production, including the liturgical music used for the rites of the Latin Church and women, in particular nuns, were active participants in this musical and liturgical
production.
In addition to addressing the issue of female creativity, the website also tackles the questions of “ethical collaboration” by being fully transparent about its contributors. This way the website will show its commitment to give full voice to the artists of the past and to the scholars and technicians of today.

Author Biography

  • Luisa Nardini, The University of Texas, Austin

    Luisa Nardini – profesor nadzwyczajny muzykologii na Uniwersytecie Teksańskim w Austin, gdzie pełni również funkcję kierownika wydziału muzykologii i etnomuzykologii. Dużo publikuje na temat średniowiecznego chorału, zwłaszcza w jego dokumentacji we włoskich i francuskich manuskryptach. W 2012 roku otrzymała „Gladiatore d’Oro”, najwyższą nagrodę honorową prowincji Benevento (Włochy), w 2018 roku stypendium American Council of Learned Societies, w latach 2012–2013 Grace Hill Milam Centennial Fellowship in Fine Arts, a także inauguracyjne Provost’s Authors Fellowship na Uniwersytecie Teksańskim za ukończenie monografii poświęconej prozulom Beneventu. W latach 2021–2022 będzie koordynowała zespół badaczy w Harry Ransom Centre w projekcie indeksowania manuskryptów chorałowych dzięki specjalnemu stypendium ufundowanemu przez Centrum. Od sierpnia 2022 roku będzie redaktorem naczelnym Acta ­Musicologica wraz z Jen-yen Chen i Arnulfem Mattesem.

References

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Nardini L., Chant, Hypertexts, and Prosulas: Re-texting the Proper of the Mass in Beneventan Manuscripts, Oxford–New York 2021.

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Embellishing the Liturgy: Tropes and Polyphony, ed. A.E. Planchart, Farnham 2009 (Music in Medieval Europe).

Paléographie musicale. Les principaus manuscrits de chant grégorien, ambrosien, mozarabe, gallican, publiés en fac-similés phototypiques par les Bénédictines de Solesmes under the direction of André Mocquereau (voll. I-XIII), Joseph Gajard (voll. XIV, XVIII), and Jacques Froger (from vol. XIX), Solesmes 1889.

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Published

2021-11-30

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Artykuły

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